William Faulkner’s The Sound and the Fury Essay -- Faulkner Sound Fury

William Faulkner’s The Sound and the Fury In William Faulkner’s The Sound and the Fury, the picture of honeysuckle is utilized more than once to reflect Quentin’s distraction with Caddy’s sexuality. All through the Quentin segment of Faulkner’s work, the picture of honeysuckle emerges related to the loss of Caddy’s virginity and Quentin’s nervousness over this misfortune. The specific development of this picture is one of a kind and essential to the work in that Quentin himself comprehends that the honeysuckle is an image for Caddy’s sexuality. The continuous flow strategy, with its endeavor at rendering the intricate progression of human cognizance, is utilized by Faulkner to practically show how images are forced upon the psyche when encounters and sense recognitions combine. Working with this innovator strategy, Faulkner can inspect the creation capacity of images in human cognizance. The events of honeysuckle in the Quentin segment recommend that Quentin came to see this plant as an image for Caddy’s sexuality automatically. When Quentin endeavors to persuade his dad that he was the person who impregnated Caddy, he interfaces honeysuckle with his sister’s loss of virginity: â€Å"I tricked all of you the time I was in the house where that damn honeysuckle doing whatever it takes not to think the swing the cedars the mystery floods the breathing bolted drinking the wild breath the Yes yes† (94). In Quentin’s memory of the night Caddy lost her virginity, he reviews honeysuckle as a critical component of the occasion. What's more, he is unfriendly towards the plants and its importance, which can be found in his accursing of it. This association with the sexual demonstration and the antagonistic vibe, which is attributed to it, recommends the inward clash in his resentment... ... of our most profound recollections, rather they are dynamic powers throughout our life, fit for controlling the psyche of the person. Works Cited Bauer, Margaret D. Southern Literary Journal. â€Å"'I Have Sinned in That I Have Betrayed the Innocent Blood': Quentin's Recognition of His Guilt.† 2000: 32.2 70-90. Bockting, Ineke. Style. â€Å"The unimaginable universe of the 'schizophrenic': William Faulkner's Quentin Compson.† 1990:24.3 484-498. Kartiganer, Donald M. â€Å"The Meaning of Form in The Sound and the Fury.† The Sound and the Fury. Ed. David Minter. New York: W.W. Norton and Company, 1994. 333. Vickery, Olga W. â€Å"The Sound and the Fury: A Study in Perspectives.† The Sound and the Fury. Ed. David Minter. New York: W.W. Norton and Company, 1994. 285. Zender, Karl F. American Literature. â€Å"Faulkner and the Politics of Incest.† 1998: 70.4 739-766.